{"id":3410,"date":"2022-01-27T01:16:52","date_gmt":"2022-01-27T01:16:52","guid":{"rendered":"https:\/\/irminschmidt.com\/site\/?page_id=3410"},"modified":"2025-10-03T01:43:10","modified_gmt":"2025-10-03T01:43:10","slug":"biography","status":"publish","type":"page","link":"https:\/\/irminschmidt.com\/site\/biography\/","title":{"rendered":"Biography"},"content":{"rendered":"

[vc_row][vc_column width=”1\/4″ offset=”vc_hidden-xs” uniqid=”68df29f457b05″][vc_gallery type=”image_grid” images=”3561,3559,3558,3557,3556,3555,3554,3553″ img_size=”full”][\/vc_column][vc_column width=”3\/4″][vc_column_text]Before Irmin founded the now legendary German band CAN in 1968, he received a formal musical education and studied composition, piano, conducting and music ethnology. Amongst others his teachers were Karlheinz Stockhausen and Ligeti. Between 1962 and 1969 he conducted numerous orchestras including his own compositions. During this period he also composed music for various film and theatre productions. In the late 60ies Schmidt decided to unite classical New Music with Rock and Jazz and founded CAN. Between 1969 and 1978 he worked exclusively with CAN.<\/p>\n

After 1978 Irmin released several solo albums – Toy Planet (with B. Spoerri), Musk At Dusk, Impossible Holidays – and a 3 CD box-set of his work as a film composer (Anthology – Soundtrack 1978 – 1993). He also wrote the Fantasy Opera, Gormenghast (premiered in 1998) and a ballet, La Fermosa (premiered in 2008) as well as over 120 film scores.
\nWith British composer KUMO he released two CDs, Masters of Confusion (2001) and Axolotl Eyes (2008) and a DVD of their sound installation Flies, Guys and Choirs (originally commissioned by the Barbican Centre).
\nIn 2008 he also released his second Anthology – Soundtracks (1994 – 2008) and the original score to the Wim Wenders film Palermo Shooting which premiered at the Cannes Film Festival 2008.<\/p>\n

Schmidt’s sound-journeys combine what is usually opposed: Rock, Pop, Jazz, Classic, Electronic, Ambient, Drum’n’ Bass, Walz, Oriental… He is a musical alchemist. The unusual paths Schmidt choses for his compositions were celebrated in 2010, when the prestigious Festival “Ludwigsburger Schlossfestspielen\u201d presented a gala evening in his honor. Schmidt conducted the Orchestra of the Schlossfestspiele and presented a selection of his work to great critical acclaim.<\/p>\n

In 2012 the CAN Label Spoon Records released The Lost Tapes, a 3 CD Can Box of previously unreleased Can material curated by Irmin Schmidt . The following year he released his double CD compilation Villa Wunderbar, a selection of his solo work and work for film (curated by Wim Wenders).<\/p>\n

In 2015 Irmin Schmidt was knighted by the French Ministry of Culture and received the highly prestigious medal Chevalier De L’Ordre Des Arts Et Des Lettres for his contribution to art and music. The same year Spoon Records released his 12 CD box Electro Violet – a complete set of Schmidts work (6 solo CDs and 6 Soundtrack CDs).<\/p>\n

In 2016 Irmin – in collaboration with Thurston Moore (Sonic Youth) – performed a live composition at the Louvre, Paris to the film STREET by English artist\/film maker James Nares.<\/p>\n

At “The Can Project Event” in April 2017, Irmin presented “Can Dialog” a new composition for large orchestra by Schmidt and G. Schwellenbach as well as Schmidt\u2019s ballet “La Fermosa” and conducted the London Symphony Orchestra at the prestigious London art centre The Barbican. The orchestral part was followed by an “Homage a CAN” concert curated and presented by Thurston Moore.<\/p>\n

May 2018 saw the release of the Can book “The Story Of Can \u2013 All Gates Open”. The book in two parts presents a biography written by Rob Young and a second part “Can Kiosk” written by Irmin Schmidt, a collage of diary entires and interviews. The book is already in the second re-print.<\/p>\n

In November 2018 Spoon Records released Irmin\u2019s new piano solo album “5 Klavierst\u00fccke”.<\/p>\n

Irmin also finished a new composition “Filmmusiken” together with Gregor Schwellenbach with whom he already wrote “Can Dialog”. The piece \u2013 an orchestration of several of Schmidt\u2019s soundtracks – premiered at the International Film Festival Braunschweig in November 2018 where Irmin conducted the Staatsorchester Braunschweig. In December 2018 he took the composition to the Volksb\u00fchne Berlin where he conducted the Deutsche Filmorchester Babelsberg.<\/p>\n

In 2019 Irmin started touring with his new album “5 Klavierst\u00fccke”. The concert on the 21st November at the Contemporary Music Festival in Huddersfield was recorded in St Paul\u2019s Church and subsequently released on the 29th May 2020: “NOCTURNE” is released by Spoon Records and Mute on CD, limited edition white Vinyl and download.<\/p>\n

In 2021 Irmin curated the highly praised series of CAN LIVE concerts, which saw the first volume Can Live Stuttgart 1975 released in May 21.
\nCan Live Stuttgart was voted Nr 1 Best Reissue of the year 2021 by the UK magazine UNCUT and 2nd best by MOJO. The following two Volumes were released equally great critical acclaim.<\/p>\n

In 2023 the film CAN AND ME, a documentary about Irmin Schmidt, his life and work, by Michael P. Aust premiered in Berlin. The film is still on show in German cinemas and is touring international festivals.<\/p>\n

Irmin finished the mastering of the next three releases of CAN LIVE of which CAN LIVE PARIS 1973 will be released in February 2024. He is currently working on his next piano album and prepares the next production of his opera Gormenghast at the Linz Opera House in Austria.<\/p>\n

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Filmography<\/h3>\n