{"id":3847,"date":"2015-02-01T02:39:59","date_gmt":"2015-02-01T02:39:59","guid":{"rendered":"https:\/\/irminschmidt.com\/site\/?post_type=work&p=3847"},"modified":"2022-02-02T23:55:51","modified_gmt":"2022-02-02T23:55:51","slug":"filmmusik-anthology-6","status":"publish","type":"work","link":"https:\/\/irminschmidt.com\/site\/work\/filmmusik-anthology-6\/","title":{"rendered":"FILMMUSIK ANTHOLOGY 6"},"content":{"rendered":"

SPOON59<\/small><\/p>\n

cover design by Paul Taylor<\/p>\n<\/div>\n

\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\nWritten and produced by<\/td>\nCredits<\/td>\nFrom the film<\/td>\nyear<\/td>\nby (director)<\/td>\n<\/tr>\n
1_01<\/td>\nVerdi Prati Valse<\/td>\n3:29<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars & bass; Serge Ferrara: accordeon.<\/td>\nPizza Colonia<\/td>\n1991<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_02<\/td>\nPauline<\/td>\n4:49<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Steve Baker: harmonica<\/td>\nRote Erde (series 1)<\/td>\n1983<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_03<\/td>\nRote Erde (Titelmusik)<\/td>\n4:10<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; John Marshall: drums; Steve Baker: harmonica.<\/td>\nRote Erde (series 1)<\/td>\n1983<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_04<\/td>\nQui Sait<\/td>\n4:55<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards; Serge Feral: Oboe<\/td>\nRote Erde (series 2)<\/td>\n1989<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_05<\/td>\nHeimkehr<\/td>\n6:27<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards; Michael Karoli: guitars; Gerd Dudek: sax; David Johnson: flute.<\/td>\nRote Erde (series 1)<\/td>\n1983<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_06<\/td>\nValse Meringue<\/td>\n4:52<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars, bass; Serge Ferrara: accordeon; Steve Baker: harmonica.<\/td>\nRote Erde (series 2)<\/td>\n1989<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_07<\/td>\nEs Geht Ein Schnitter<\/td>\n3:14<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Scott Terzaghi: cello<\/td>\nRote Erde (series 2)<\/td>\n1989<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_08<\/td>\nBohemian Step<\/td>\n6:25<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: Synths; Michael Karoli: guitars, bass; Trilok Gurtu: percussions; Steve Baker: harmonica<\/td>\nTheater: Wallenstein<\/td>\n1985<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_09<\/td>\nZocker<\/td>\n3:54<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Frank Ema Otu: Bass, Gerd Dudek: sax.<\/td>\nTatort, Freunde<\/td>\n1986<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_10<\/td>\nNut’s N News<\/td>\n3:09<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Jaki Liebezeit: drums, percussions: Trilok Gurtu, Frank Ema Otu: Bass<\/td>\nReporter (series 1)<\/td>\n1987<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_11<\/td>\nGesicht Im Dunkel<\/td>\n5:40<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; percussions: Trilok Gurtu, Frank Ema Otu: Bass<\/td>\nReporter (series 1)<\/td>\n1987<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_12<\/td>\nMountain Way<\/td>\n2:31<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Jaki Liebezeit: drums, percussions: Trilok Gurtu, Frank Ema Otu: Bass<\/td>\nReporter (series 1)<\/td>\n1987<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_13<\/td>\nRitas’s Tune<\/td>\n4:40<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Barney Wilen: sax;<\/td>\nAlle Geister Kreisen<\/td>\n1985<\/td>\nP. Prrzygodda<\/td>\n<\/tr>\n
1_14<\/td>\nG. String<\/td>\n2:59<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Egon Stegem\u00f6ller: violine<\/td>\nTheater: Unter Der Treppe<\/td>\n1991<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_15<\/td>\nBaal<\/td>\n6:04<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars.<\/td>\nBaal<\/td>\n1992<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
1_16<\/td>\nMzungu<\/td>\n1:47<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Jaki Liebezeit: drums, Frank Ema Otu: Bass<\/td>\nNegerk\u00fcsse<\/td>\n1992<\/td>\nMaria Theresia Wagner<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2_01<\/td>\nRoll On Euphrates (Titelmusik)<\/td>\n3:51<\/td>\nIrmin Schmidt – Lyrics by Duncan Fallowell<\/td>\nIrmin Schmidt: keyboards, Synths, vocals; Michael Karoli: guitars; Jaki Liebezeit: drums, Frank Ema Otu: Bass; Gerd Dudek: sax.<\/td>\nTatort, Freunde<\/td>\n1986<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
2_02<\/td>\nYou Make Me Nervous<\/td>\n4:07<\/td>\nIrmin Schmidt – Lyrics by Duncan Fallowell<\/td>\nIrmin Schmidt: keyboards, Synths, vocals; Michael Karoli: guitars; Jaki Liebezeit: drums; Reebop Kwakuba: percussions; Serge Ferrara: accordeon<\/td>\nFlight To Berlin<\/td>\n1984<\/td>\nChristopher Petit<\/td>\n<\/tr>\n
2_03<\/td>\nMary In A Coma<\/td>\n5:49<\/td>\nIrmin Schmidt – Lyrics by Duncan Fallowell<\/td>\nIrmin Schmidt: keyboards, Synths, vocals; Michael Karoli: guitars, bass; percussions: Trilok Gurtu<\/td>\nRuhe Sanft Bruno<\/td>\n1983<\/td>\nHajo Gies<\/td>\n<\/tr>\n
2_04<\/td>\nKein Sch\u00f6ner La La<\/td>\n4:25<\/td>\nIrmin Schmidt – Lyrics by Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths, vocals; Michael Karoli: guitars; Jean-Luc Danna: drums, Gaaetan Massabo: percussions, Frank Ema Otu: Bass<\/td>\nKein Sch\u00f6ner Land (series 1)<\/td>\n1985<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
2_05<\/td>\nZombie Mama<\/td>\n4:47<\/td>\nIrmin Schmidt – Lyrics by Irmin Schmidt<\/td>\nIrmin Schmidt: vocals; Jean-Luc Danna: drums, Gaaetan Massabo: percussions, Frank Ema Otu: Bass<\/td>\nKein Sch\u00f6ner Land (series 1)<\/td>\n1985<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
2_06<\/td>\nStille Tr\u00e4nen Walzer<\/td>\n2:21<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars, bass; Manfred Schoof: trumpet; Gerd Dudek: sax., Egon Stegem\u00f6ller: violine<\/td>\nDer Mann Auf Der Mauer<\/td>\n1982<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
2_07<\/td>\nCity Of Magic<\/td>\n10:48<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Reebop Kwakuba: percussions; Manfred Schoof: trumpet.<\/td>\nFlight To Berlin<\/td>\n1984<\/td>\nChristopher Petit<\/td>\n<\/tr>\n
2_08<\/td>\nUltimate City Limit<\/td>\n5:52<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Jaki Liebezeit: drums; Gerd Dudek: flute; Egon Stegem\u00f6ller: violine<\/td>\nDer Mann Auf Der Mauer<\/td>\n1982<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
2_09<\/td>\nMorning In Berlin<\/td>\n3:12<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Jaki Liebezeit: drum; Reebop Kwakuba: percussions; Manfred Schoof: trumpet.<\/td>\nFlight To Berlin<\/td>\n1984<\/td>\nChristopher Petit<\/td>\n<\/tr>\n
2_10<\/td>\nAller Tage Abend Walzer<\/td>\n13:52<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths, piano; Gerd Dudek: sax; Serge Ferrara: accordeon.<\/td>\nEs Ist Nicht Aller Tage Abend<\/td>\n1984<\/td>\nHerbert Wolfertz<\/td>\n<\/tr>\n
2_11<\/td>\nAsagrai<\/td>\n4:58<\/td>\nIrmin Schmidt<\/td>\nReebop Kwakuba: percussions; Manfred Schoof: trumpet.<\/td>\nFlight To Berlin<\/td>\n1984<\/td>\nChristopher Petit<\/td>\n<\/tr>\n
2_12<\/td>\nM\u00f6rderlied<\/td>\n6:13<\/td>\nIrmin Schmidt – Lyrics by Heiner M\u00fcller<\/td>\nIrmin Schmidt: keyboards, Synths, vocals; Michael Karoli: guitars; Jaki Liebezeit: drums<\/td>\nTheater: Leben Grundlings<\/td>\n1983<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
2_13<\/td>\nBalance<\/td>\n3:31<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: piano; Gerd Dudek: sax.<\/td>\nDer Mann Auf Der Mauer<\/td>\n1982<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
3_01<\/td>\nWallenstein<\/td>\n9:01<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Egon Stegem\u00f6ller: violine<\/td>\nTheater: Wallenstein<\/td>\n1985<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
3_02<\/td>\nVision<\/td>\n3:50<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Gerd Dudek: flute , sax; Manfred Schoof: Trumpet<\/td>\nDer Mann Auf Der Mauer<\/td>\n1982<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
3_03<\/td>\nF\u00fcrst Von Atlantis<\/td>\n6:04<\/td>\nIrmin Schmidt – Lyrics by Heiner M\u00fcller<\/td>\nIrmin Schmidt: vocals, piano; Michael Karoli: guitars; Jaki Liebezeit: drums.<\/td>\nTheater: Leben Grundlings<\/td>\n1983<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
3_04<\/td>\nMan On Fire<\/td>\n14:57<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths, piano; Jaki Liebezeit: drums; Egon Stegem\u00f6ller: violine<\/td>\nDie Heimsuchung Des Assistenten Jung<\/td>\n1981<\/td>\nThomas Schamoni<\/td>\n<\/tr>\n
3_05<\/td>\nSolo<\/td>\n5:36<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: Synths; Bruno Spoerri: sax.<\/td>\nDer Tote Bin Ich<\/td>\n1979<\/td>\nAlexander von Eschwege<\/td>\n<\/tr>\n
3_06<\/td>\nMesser Im Kopf (Titelmusik)<\/td>\n4:46<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths, piano, balama.<\/td>\nMesser Im Kopf<\/td>\n1978<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
3_07<\/td>\nEndstation Freiheit (Titelmusik)<\/td>\n3:37<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Michael Karoli: guitars; Jaki Liebezeit: drums, Rosko Gee: bass.<\/td>\nEndstation Freiheit<\/td>\n1980<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
3_08<\/td>\nDer Tote Bin Ich (Titelmusik)<\/td>\n3:07<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: piano, keyboards, Synths; Bruno Spoerri: sax.<\/td>\nDer Tote Bin Ich<\/td>\n1979<\/td>\nAlexander von Eschwege<\/td>\n<\/tr>\n
3_09<\/td>\nLurk<\/td>\n2:23<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: Synths; Jaki Liebezeit: drums, Holger Czukay: bass; Manfred Schoof: trumpet.<\/td>\nFl\u00e4chenbrand<\/td>\n1981<\/td>\nAlexander von Eschwege<\/td>\n<\/tr>\n
3_10<\/td>\nLoony’s Walk<\/td>\n1:13<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Jaki Liebezeit: percussion.<\/td>\nEndstation Freiheit<\/td>\n1980<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
3_11<\/td>\nFl\u00e4chenbrand (Titelmusik)<\/td>\n2:16<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: Synths; Jaki Liebezeit: drums, Holger Czukay: bass; Manfred Schoof: trumpet; Peter Aussem: accordeon<\/td>\nFl\u00e4chenbrand<\/td>\n1981<\/td>\nAlexander von Eschwege<\/td>\n<\/tr>\n
3_12<\/td>\nDecision<\/td>\n3:49<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards; Michael Karoli: guitars; Jaki Liebezeit: drums, Rosko Gee: bass.<\/td>\nEndstation Freiheit<\/td>\n1980<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
3_13<\/td>\nDer Elch<\/td>\n5:00<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Max L\u00e4sser: guitars.<\/td>\nIm Herzen Des Hurrican<\/td>\n1980<\/td>\nHark Bohm<\/td>\n<\/tr>\n
3_14<\/td>\nKoto<\/td>\n1:47<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, balama<\/td>\nMesser Im Kopf<\/td>\n1978<\/td>\nReinhard Hauff<\/td>\n<\/tr>\n
3_15<\/td>\nIm Herzen Des Hurrican (Titelmusik)<\/td>\n5:15<\/td>\nIrmin Schmidt<\/td>\nIrmin Schmidt: keyboards, Synths; Max L\u00e4sser: guitars, Walter Keiser: drums; Peter Keiser: bass<\/td>\nIm Herzen Des Hurrican<\/td>\n1980<\/td>\nHark Bohm<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

SPOON59 cover design by Paul Taylor Written and produced by Credits From the film year by (director) 1_01 Verdi Prati Valse 3:29 Irmin Schmidt Irmin Schmidt: keyboards, Synths; Michael Karoli: guitars & bass; Serge Ferrara: accordeon. Pizza Colonia 1991 Klaus Emmerich 1_02 Pauline 4:49 Irmin Schmidt Irmin Schmidt: keyboards, Synths; Steve Baker: harmonica Rote Erde […]<\/p>\n","protected":false},"featured_media":3978,"parent":0,"template":"","meta":{"_acf_changed":false},"worktype":[11],"class_list":["post-3847","work","type-work","status-publish","has-post-thumbnail","hentry","worktype-releases"],"acf":[],"_links":{"self":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/work\/3847","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/work"}],"about":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/types\/work"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/media\/3978"}],"wp:attachment":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/media?parent=3847"}],"wp:term":[{"taxonomy":"worktype","embeddable":true,"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/worktype?post=3847"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}