{"id":3850,"date":"2009-02-02T02:42:27","date_gmt":"2009-02-02T02:42:27","guid":{"rendered":"https:\/\/irminschmidt.com\/site\/?post_type=work&p=3850"},"modified":"2022-02-02T23:56:53","modified_gmt":"2022-02-02T23:56:53","slug":"filmmusik-anthology-volume-4-5-schmidt","status":"publish","type":"work","link":"https:\/\/irminschmidt.com\/site\/work\/filmmusik-anthology-volume-4-5-schmidt\/","title":{"rendered":"Filmmusik Anthology Volume 4 & 5 (Schmidt)"},"content":{"rendered":"
\n SPOON52\/53<\/small><\/p>\n
cover design by Paul Taylor<\/h5>\n<\/p><\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
<\/td>\n<\/td>\n<\/td>\nWritten and produced by<\/td>\nCredits<\/td>\nFrom the film<\/td>\nyear<\/td>\nby (director)<\/td>\n<\/tr>\n
1_01<\/td>\n Flavia Theme (Variationen \u00dcber Ein Thema Von J.S. Bach) <\/td>\n1:31<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Serge Ferrara: accordion, <\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_02<\/td>\nStrange Luck <\/td>\n1:09<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Markus Stockhausen: trumpet<\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_03<\/td>\n Arrow From Beyond <\/td>\n3:22<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Markus Stockhausen: trumpet<\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_04<\/td>\nBeing Dwarf (Dream Theme III) <\/td>\n2:00<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Serge Ferrara: accordion, <\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_05<\/td>\nQuattrocanti <\/td>\n2:17<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_06<\/td>\nTears (Flavia Theme IV) <\/td>\n5:08<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Ulrike Sch\u00e4fer: cello<\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_07<\/td>\nFalling <\/td>\n2:47<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Markus Stockhausen: trumpet<\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_08<\/td>\nFresco & Finale (Flavia Theme III & IV) <\/td>\n6:40<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Markus Stockhausen: trumpet<\/td>\nPalermo Shooting<\/td>\n2008<\/td>\nWim Wenders<\/td>\n<\/tr>\n
1_09<\/td>\nDie Letzte Pr\u00fcfung<\/td>\n4:35<\/td>\n Irmin Schmidt & Jono Podmore<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nDie Letze Pr\u00fcfung<\/td>\n2007<\/td>\nStephan Wagner <\/td>\n<\/tr>\n
1_10<\/td>\nSchneeland <\/td>\n3:46<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Christiane Oxenfort: alto- & bassflute<\/td>\nSchneeland<\/td>\n2004<\/td>\nH.W. Geissend\u00f6rfer <\/td>\n<\/tr>\n
1_11<\/td>\nAaron <\/td>\n02:42<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nSchneeland<\/td>\n2004<\/td>\nH.W. Geissend\u00f6rfer <\/td>\n<\/tr>\n
1_12<\/td>\nIna & Aaron <\/td>\n4:06<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Christiane Oxenfort: alto- & bassflute<\/td>\nSchneeland<\/td>\n2004<\/td>\nH.W. Geissend\u00f6rfer <\/td>\n<\/tr>\n
1_13<\/td>\nTatoo <\/td>\n4:33<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Daniel Rosenboom: trumpet<\/td>\nPaparazzo<\/td>\n2006<\/td>\nAllan Smithee<\/td>\n<\/tr>\n
1_14<\/td>\nBondage <\/td>\n5:50<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Daniel Rosenboom: trumpet<\/td>\nPaparazzo<\/td>\n2006<\/td>\nAllan Smithee<\/td>\n<\/tr>\n
1_15<\/td>\nAirport <\/td>\n1:55<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Isis Zerlett: vocals<\/td>\nPaparazzo<\/td>\n2006<\/td>\nAllan Smithee<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/td>\n<\/tr>\n
2_01<\/td>\nExit West <\/td>\n04:21<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nDer Stich des Skorpion<\/td>\n2004<\/td>\nStephan Wagner<\/td>\n<\/tr>\n
2_02<\/td>\nDangerous <\/td>\n3:28<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Daniel Rosenboom: trumpet<\/td>\nPaparazzo<\/td>\n2006<\/td>\nAllan Smithee<\/td>\n<\/tr>\n
2_03<\/td>\nComing Home <\/td>\n3:50<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nIn Sachen Kaminsky<\/td>\n2004<\/td>\nStephan Wagner<\/td>\n<\/tr>\n
2_04<\/td>\nStigma <\/td>\n2:50<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 5 – Ein Fleck Auf Der Haut<\/td>\n2004<\/td>\nStephan Wagner<\/td>\n<\/tr>\n
2_05<\/td>\nLied Vom Verschwinden <\/td>\n2:06<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Judith Stegem\u00f6ller: violin<\/td>\nBloch 14 – Bauchgef\u00fchl<\/td>\n2008<\/td>\nFranziska Meletzki<\/td>\n<\/tr>\n
2_06<\/td>\nUnheimliche Entdeckung<\/td>\n1:47<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 2 – Ein Begrabener Hund<\/td>\n2002<\/td>\nPeter Schulze-Rohr<\/td>\n<\/tr>\n
2_07<\/td>\nTausendsch\u00f6nchen <\/td>\n1:33<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 3 – Tausendsch\u00f6nchen<\/td>\n2003<\/td>\nChristoph Stark<\/td>\n<\/tr>\n
2_08<\/td>\nSilbergraue Augen <\/td>\n1:51<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 4 – Silbergraue Augen<\/td>\n2003<\/td>\nMarkus O. Rosenm\u00fcller<\/td>\n<\/tr>\n
2_09<\/td>\nAbschied <\/td>\n6:59<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 7 – Ein Krankes Herz<\/td>\n2005<\/td>\nMichael Hammon<\/td>\n<\/tr>\n
2_10<\/td>\nVerlorene Liebe Walter <\/td>\n2:55<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 8 – Der Freund meiner Tochter<\/td>\n2005<\/td>\nKilian Riedhof<\/td>\n<\/tr>\n
2_11<\/td>\n Im Wald <\/td>\n4:15<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nBloch 11 – Der Kinderfreund<\/td>\n2007<\/td>\nKilian Riedhof<\/td>\n<\/tr>\n
2_12<\/td>\nZucker F\u00fcr Die Bestie <\/td>\n2:45<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nZucker F\u00fcr Die Bestie<\/td>\n1998<\/td>\nMarkus Fischer<\/td>\n<\/tr>\n
2_13<\/td>\nBloch Bei Bloch <\/td>\n1:03<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Gerd Dudek: flute & saxophone <\/td>\nBloch 2 – Ein Begrabener Hund<\/td>\n2002<\/td>\nPeter Schulze-Rohr<\/td>\n<\/tr>\n
2_14<\/td>\nDark Morning <\/td>\n1:44<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, Ian Dixon: trumpet, <\/td>\nBloch 1 – Schwarzer Staub<\/td>\n2002<\/td>\nEdward Herzog<\/td>\n<\/tr>\n
2_15<\/td>\nZicke Zick <\/td>\n3:17<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nTatort – Wenn Frauen Austern Essen<\/td>\n2003<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
2_16<\/td>\nHinter Glas <\/td>\n2:59<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nTatort – Wenn Frauen Austern Essen<\/td>\n2003<\/td>\nKlaus Emmerich<\/td>\n<\/tr>\n
2_17<\/td>\nGeisterlied <\/td>\n4:10<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nIch werde Immer Bei Euch Sein<\/td>\n2003<\/td>\nMarkus Fischer<\/td>\n<\/tr>\n
2_18<\/td>\nFinal Cut <\/td>\n3:09<\/td>\n Irmin Schmidt<\/td>\nIrmin Schmidt: keyboards & electronics, <\/td>\nPaparazzo<\/td>\n2006<\/td>\nAllan Smithee<\/td>\n<\/tr>\n<\/tbody>\n<\/table><\/div>\n","protected":false},"excerpt":{"rendered":"

SPOON52\/53 cover design by Paul Taylor Written and produced by Credits From the film year by (director) 1_01 Flavia Theme (Variationen \u00dcber Ein Thema Von J.S. Bach) 1:31 Irmin Schmidt Irmin Schmidt: keyboards & electronics, Serge Ferrara: accordion, Palermo Shooting 2008 Wim Wenders 1_02 Strange Luck 1:09 Irmin Schmidt Irmin Schmidt: keyboards & electronics, Markus […]<\/p>\n","protected":false},"featured_media":3980,"parent":0,"template":"","meta":{"_acf_changed":false},"worktype":[11],"class_list":["post-3850","work","type-work","status-publish","has-post-thumbnail","hentry","worktype-releases"],"acf":[],"_links":{"self":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/work\/3850","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/work"}],"about":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/types\/work"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/media\/3980"}],"wp:attachment":[{"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/media?parent=3850"}],"wp:term":[{"taxonomy":"worktype","embeddable":true,"href":"https:\/\/irminschmidt.com\/site\/wp-json\/wp\/v2\/worktype?post=3850"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}